摘 要:清朝侠义小说与才子佳人小说结合,将“侠”和“情”融合。本文将重点从《绿牡丹》和《儿女英雄传》两部作品中的女性形象切入进行专题研究,通过对情侠融合模式下女性形象的归纳梳理和类型分析,挖掘文本的深层意蕴;运用文献研究法、比较法等方法,分析《绿牡丹》和《儿女英雄传》中女性形象对侠义小说与才子佳人小说的继承与发展以及情侠融合下的女性形象对现代武侠小说的影响。“情”与“侠”在女性身上是不平衡的,对“情”既有扬又有抑,本文将从作者创作心理的文化因素对女性形象的双重性进行探讨。最后,《绿牡丹》《儿女英雄传》以鲜明的语言描写和细腻的心理描述塑造了独特的女性形象。
Abstract:In the qing dynasty, chivalrous novels combined with talent and beauty novels, and the combination of "chivalry" and "love". This article will focus from "green peony" and " the biography of the hero and heroine" to research into the female images in the two works, through the female images under the affection chivalry confluence of carding and type analysis, mining the deep connotation of text; Using the method of literature research, comparison and analysis of "green peony" and " the biography of the hero and heroine " in the female image of chivalrous novels and the succession and development of the novel beauties and feeling spiderman fusion under the influence of the female image of modern martial art novels. "Love" and "xia" are unbalanced in the female body, and the "love" is both young and restrained. This article will discuss the duality of female image from the cultural factors of the author's creative psychology. Finally, "green peony" and " the biography of the hero and heroine" has created a unique female image with vivid language description and exquisite psychological description.
关键字:女性形象;情侠;《绿牡丹》;《儿女英雄传》
Keyword:Female image;chivalry and affectionateness; Green Peony; The Biography of the Hero and Heroine
目录
1 引言 1
1.1 选题背景 1
1.2 研究意义 1
2 女性形象的类型 2
2.1 复仇行侠型 2
2.2 报恩正义型 3
2.3 传统型 3
3 “侠”与“情”的新变 3
3.1 对侠义小说的继承 4
3.1.1 高超绝伦的武艺技能 4
3.1.2 智谋无双的性格特征 4
3.2 对佳人形象的依附 5
3.2.1 貌美如花的外貌描写 5
3.2.2 才情不凡的气质描写 6
3.3 “情”与“侠”的融合 6
情侠模式下的女性形象《绿牡丹》《儿女英雄传》为例:http://www.chuibin.com/wenxue/lunwen_205888.html