摘 要：在我国源远流长的书法史上，大家辈出，星河璀璨。诸如王羲之、王献之、颜真 卿、怀素等大家要么开宗立派，要么成为集大成者，这些大家都是书法史长河中耀眼的一 颗颗明珠。当然也有一些书家，有他们着极不平凡的艺术才情，却由于种种缘由，在大浪 淘沙在历史长河中成为了遗落的明珠，没有得到后人过多的研究，元代的杨维桢便是其中 之一。 

元末，农民军揭竿而起，通过倪瓒的词“东家烟起，西家烟起，元复碧翚朱啓”。我 们可以看出杨维桢正是生活在这样一个变动无常的岁月。因此社会环境的恶劣便决定了杨 维桢多变的生活道路，同时也为他灵魂的裂变作了铺垫。 

    然而，不管是《明史》本传还是宋濂的《墓志铭》，不管是贝琼的《杨维桢传》还是 朱彝尊的《杨维桢传》，几乎都不提他的书法艺术，这主要是由于杨维桢的诗名、文名实 在太大，他的思想性格太奇崛，以致书法被诗文所掩。 

本文分为四个部分,第一章对杨维桢各个书体代表作进行赏析,概括出杨维桢的书法 风格特征。第二章通过杨维桢人生历程及其师承交游两个大方面推测出杨维桢书风形成的 原因：一为受时代影响而形成的艺术思想，二为其人生遭遇的影响。在这些原因的影响下 杨维桢对当下书风进行了创新，第三章描写了杨维桢书法的创新性。第四章阐述了杨维桢 创新书风对元代、明代以及现当代书法创作的启示。 

 关键词：杨维桢，书法风格，奇崛

Absrtact: In the history of our country's long history of calligraphy, there are a great number of people, the star river bright. Such as wang xizhi, wang xianzhi, yan zhenqing, huaisu, etc., are either to open a religious sect or become a group of people, these people are the bright pearl in the long history of calligraphy. , of course, there are also some shoka, with their extraordinary artistic talents, but due to various reasons, in the ebb tide come to left by history, are not too many future studies, the yuan dynasty Yang Weizhen is one of them.

At the end of the yuan, the peasant army rose up, and through ni zan's word "the owner smoke, the smoke rises, the yuan fu bi hui zhu qi". We can see that Yang weizhen is living in such a volatile time. Therefore, the poor social environment determines Yang's changeable life path, and also lays the foundation for the fission of his soul.

however, whether this transfer or "Ming" song lian "epitaph", whether it is a biography of the Yang Weizhen BeiQiong or introduces the biography of Yang Weizhen, almost all don't mention his calligraphy art, this is mainly due to the Yang Weizhen poem name, article name is too big, his character is very peculiar thoughts, so that the calligraphy mask by poetry.

This paper is pided into four parts. The first chapter analyzes and compares the typical calligraphy representative works of Yang weizhen's various calligraphers and extracts the examples of lines, ligatures and inks in calligraphy works. On the basis of the example, the author makes a comprehensive analysis and comparison of the calligraphy works of Yang weizhen's various calligraphies to summarize the overall style characteristics of his calligraphy works. The second chapter analyzes the reasons for the formation of Yang weizhen's book style through the historical environment and the life history and activities of Yang weizhen: one is his own literary and artistic thoughts, and the other is the influence of his life circumstances. Under the influence of these reasons, Yang weizhen innovates the book wind, and the third chapter describes the innovation of Yang weizhen's calligraphy. The fourth chapter elaborates the enlightenment of Yang weizhen's innovation book wind to the yuan dynasty, Ming dynasty and contemporary calligraphy creation. 杨维桢书法风格成因探析:http://www.chuibin.com/yishu/lunwen_205207.html