论席勒水彩画的表现形式
水彩的独特在于其物质媒介及形式表现，在大径相同的水彩创作中，寻求个人风格化成了水彩艺术家的追求目标。近年来我国的水彩也面临相同问题，艺术家对表现个人风格的追求更为突出，也涌现了诸多唯独表现个性却缺乏真实感受及情感的作品，这值得我们思考与改变，我们需要谨记的是个人风格真正形成需要积累、思考、实践，是一个漫长而又缓慢的过程。
毕业论文关键词： 表现形式，风格化，技法创新，主观情绪，精神表达
Theory of Schiller watercolor painting forms
Abstract: Schiele’s creative manifestations is different from traditional watercolor painting of transparent water rhyme, the pursuit of the use of innovative techniques and comprehensive material. Mainly by personal feelings, changing living environment have different ideas and forms of art. Conform to the theme or emotional needs, determine the color tone, the combination of contrast colors or by decorative patches to produce visual impact, and strengthen the inherent color, light and shade of neglect, let Schiller Watercolor highly personalized and there is a non-a sense of reality.
Watercolor unique in its substance and form of media performance in large diameter the same watercolor creation, seeking personal style of watercolor artist became the pursuit of goals. Recent years, China is also facing the same problem watercolor artist for the pursuit of personal style performance more prominent, but also the emergence of a lot of the performance of inpidual alone but lack true feelings and emotions work, it's worth thinking about the changes we need to keep in mind is the process of forming a personal style really need to accumulate, thinking, practice, is a long and slow.
Keywords: manifestation style, technique and innovation, subjective emotional, spiritual expression
目录
摘要 ii
Abstract ii
目录 i
1 席勒个人背景及当时的社会环境对其创作影响 1
1.1 个人背景 1
1.2 社会环境 1
2 席勒不同时期表现形式的异同 2
2.1 早期 2
2.2 中期 3
2.3 后期 4
3 当代水彩对席勒水彩画的借鉴 5
3.1 独特的个性主义与主观性创作精神 5
3.2 融合其他画种特征的创新 6
3.3 席勒对我的创作影响 7
致谢 8
参考文献 9
1．席勒个人背景及当时的社会环境
个人背景
世界美术史上有一朵来自奥地利的奇葩，埃贡•席勒。师承自文也纳分离派领导人、装饰画家古斯塔夫•克林姆，进入文也纳美术学院时年仅16岁，并因此与科柯施卡相识，在两者的影响下，他的作品具有较浓重装饰风，这表明新艺术派——青年风格阿拉伯式图案在席勒心中地位以及对其的强烈影响，如果说克里姆特的艺术是从象征主义走向表现主义，而席勒则已走进纯粹的表现主义天地。表现主义是直白的，强烈的。自我主观意识的表达表现近乎是席勒艺术活动的唯一目的，而整个画面的唯一重点即是宣泄个人的主观情感。
上一篇：企业并购可行性分析+文献综述